Signal Station

Signal Station

Landscape of Water

smoon (Seohyun Sophia Moon)

Landscape of Water

Landscape of Water

smoon (Seohyun Sophia Moon)

smoon (Seohyun Sophia Moon)

Description

Description

organza, curtain tieback, fabrics, paper, spray paint, threads, fishing thread, curtain

130x230cm

2024

organza, curtain tieback, fabrics, paper, spray paint, threads, fishing thread, curtain

130x230cm

2024

"Water never stays the same—it flows, ripples, and reshapes itself endlessly."- Smoon’s textile-based work captures this perpetual transformation through delicate layers of organza, fabric, thread, and paper. Soft yet resilient, the materials echo the quiet strength and unpredictability of water. At once ethereal and grounded, the suspended form evokes movement in stillness—shifting gently, as if caught mid-flow.

There’s a subtle invocation of cultural memory embedded in the form. The work recalls elements of the Korean hanbok: the sleeve, the bokjumeoni (fortune pouch), and norigae ornaments—all drifting within a sculptural language shaped by digital current and diasporic flow. The piece feels as though it has sailed across distance, carried by intangible tides—part tradition, part transmission.

Through tactile layering and shifting form, smoon reflects on how tradition drifts—folding into new shapes, reshaped by movement and memory. Layers of fabric and color echo its softness, unpredictability, and quiet strength. It’s about the beauty of something that is always changing.

Artist Note

Artist Note

Water never stays the same - it flows, ripples, and reshapes itself endlessly. It holds a mysterious quality, constantly shifting in irregular, unpredictable forms.

Layers of fabric and color echo its softness, unpredictability, and quiet strength. It’s about the beauty of something that is always changing.

"Water never stays the same—it flows, ripples, and reshapes itself endlessly."- Smoon’s textile-based work captures this perpetual transformation through delicate layers of organza, fabric, thread, and paper. Soft yet resilient, the materials echo the quiet strength and unpredictability of water. At once ethereal and grounded, the suspended form evokes movement in stillness—shifting gently, as if caught mid-flow.

There’s a subtle invocation of cultural memory embedded in the form. The work recalls elements of the Korean hanbok: the sleeve, the bokjumeoni (fortune pouch), and norigae ornaments—all drifting within a sculptural language shaped by digital current and diasporic flow. The piece feels as though it has sailed across distance, carried by intangible tides—part tradition, part transmission.

Through tactile layering and shifting form, smoon reflects on how tradition drifts—folding into new shapes, reshaped by movement and memory. Layers of fabric and color echo its softness, unpredictability, and quiet strength. It’s about the beauty of something that is always changing.

Water never stays the same - it flows, ripples, and reshapes itself endlessly. It holds a mysterious quality, constantly shifting in irregular, unpredictable forms.

Layers of fabric and color echo its softness, unpredictability, and quiet strength. It’s about the beauty of something that is always changing.